Journal for Religion, Film and Media - Heft 5.2 erscheint am 15. November!
The thematic section of this issue of JRFM deals with apocalyptic imaginings in literature and film. The articles address issues such as authority, authenticity, belief, imagining social futures, and art as social laboratory. Throughout, the authors employ the lens of “the apocalyptic” to demonstrate how media can address broader socio-political and psychological issues. They can serve as a kind of social barometer to help us identify contemporary angst, anxieties, hopes, and dreams. Doing so, the authors highlight that “the apocalyptic” serves as useful analytical tool that allows us to learn something about society that might otherwise remain hidden. As such, they go back to the Greek origins of the word and show that “apocalyptic work” is the work of revealing and unveiling – both for artists and creators of media texts and for academics as scholars of contemporary culture. The authors of the thematic section are: John Lynch with a paper on Mr Robot, Stephanie Bender with a discussion of Margaret Atwood’s MaddAddam trilogy, Jennifer Woodward explores J. J. Connington’s 1923 apocalyptic novel Nordenholt’s Million, Javier Campos Calvo-Sotelo analyses the link between dystopia and music, and Bina Nir concludes the Open Section with a reflection on the perception of time.
Picture © Alexander D. Ornella